June 2, 2005
Statement from Terese Capucilli and
Christine Dakin
For three decades with the Martha Graham
Dance Company, we have danced for Martha, been Associate Artistic Directors,
Artistic Directors, taken the Company through a boycott to win the rights to
dance MarthaÕs work and struggled to revive the Company in the face of ongoing
legal and financial challenges.
Our allegiance to Martha Graham's great work and the quality of our own
work is well known.
As Artistic Directors we were charged to
bring the Company back to artistic and professional excellence. We trained the
dancers, drew together a brilliant technical and support staff, rebuilt the
repertory and reputation and increased the bookings of the Company while
instituting new efficiencies. We are thankful for the incredible artistry and
commitment of artists, dancers and technical staff of the Company along with
the many extraordinary people in the Center who supported our vision, to bring
Martha's work back to the stage with new brilliance. It is our honor to have
created and led this team with the support of the Board of Trustees of the
Martha Graham Center of Contemporary Dance.
The Center has recently announced a plan for reconfiguring and restructuring in order to stabilize its costs and address financial pressures. We feel that there were alternatives that addressed the fiscal realities while not risking the hard-won continuity, consistency and artistry that the Company had finally attained.
The Board of Trustees had every right to
choose an artistic director who offered to lead the Center in a direction they
are comfortable with. However, if
the Center needed a restructuring, it would have been in the best interest of
the Company and respectful of our experience and accomplishments to have had a
deliberative process before it was presented as a crisis. Those of us with the most experience in
running a dance company were not given a real opportunity to address the
BoardÕs requirements and the Center proceeded to restructure. On May 19th, 2005
our employment as Artistic Directors of the Martha Graham Dance Company was
terminated.
Like Martha's, our greatest pleasure is the work: directing the dancersÕ artistic growth in the studio and realizing Martha's art on stage. It is, for us, a great sadness that it will no longer be our vision that leads the Company into the future. We have spent our lives committed to MarthaÕs work and seeing it live. We remain hopeful that somehow we can contribute to its future.